Joe Simpson |
I’d been working on a series of large scale corporate commissions for a year and I wanted to do a project for myself with a series of smaller paintings. I thought about doing a collection of portraits of well-known people for a while, but I felt that it would be stronger if there was a theme. Because I’m such a big music fan I ended up choosing musicians – it would be a chance to meet people who I’m a fan of and provide a rich source of interesting subjects.
It was difficult, I had to use some serious google skills and write persuasive emails. It was often hard getting around management and to ask the musicians directly. There were quite a few people I would have liked to paint but couldn’t end up getting – I would have liked to paint Sufjan Stevens a lot, I’m a massive fan of his music.
Who was your favourite to paint and why?
They were all interesting in different ways. I liked painting people with beards and crazy hair, Sam Beam was a lot of fun.
What's next after this exhibition closes?
I have a show in January called ‘Everything Is Electrified’, it’s mixed media landscapes with pylons and transmission towers – totally different to the musician portraits, but a nice change for me. After that I’m not sure, I have a few ideas in the pipeline…
Details of the exhibition can be found here
Follow Joe on twitter
Watch 'Musician Portraits - Making a Pop Up' here
I have a show in January called ‘Everything Is Electrified’, it’s mixed media landscapes with pylons and transmission towers – totally different to the musician portraits, but a nice change for me. After that I’m not sure, I have a few ideas in the pipeline…
Details of the exhibition can be found here
Follow Joe on twitter
Watch 'Musician Portraits - Making a Pop Up' here
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